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秦海璐,保剑锋,左小青,田雨,潘之琳,孙浩,杜源,贾笑涵,李依晓,谭凯,穆丽燕,梁丽,章涛
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魏晔,冯骏骅,张欣,金锋,夏志卿
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更新至80集
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李东学,张俪,林源,胡海锋,寇振海,何赛飞,冯恩鹤,俞小凡
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已完结
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已完结
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已完结
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已完结
榎木淳弥,小松未可子,樱井孝宏,奈良彻,仲野裕,平川大辅,明坂聪美,井口裕香,片冈爱之助
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第77集完结
葛兆恩,紀成澔
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尹施允,李英雅,柳真,周元,申东宇,全光烈,钱忍和,全美善,吴在武,赵贞恩,崔允英,金所泫,崔子惠,朴成雄,朴相勉
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谍战题材锄奸故事
刘劲,于震,徐僧,李玉峰,徐箭,邢宇飞,张蓉蓉,陈紫函
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全120集
内详
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To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)