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秦海璐,保剑锋,左小青,田雨,潘之琳,孙浩,杜源,贾笑涵,李依晓,谭凯,穆丽燕,梁丽,章涛
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魏晔,冯骏骅,张欣,金锋,夏志卿
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李东学,张俪,林源,胡海锋,寇振海,何赛飞,冯恩鹤,俞小凡
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葛兆恩,紀成澔
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榎木淳弥,小松未可子,樱井孝宏,奈良彻,仲野裕,平川大辅,明坂聪美,井口裕香,片冈爱之助
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尹施允,李英雅,柳真,周元,申东宇,全光烈,钱忍和,全美善,吴在武,赵贞恩,崔允英,金所泫,崔子惠,朴成雄,朴相勉
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谍战题材锄奸故事
刘劲,于震,徐僧,李玉峰,徐箭,邢宇飞,张蓉蓉,陈紫函
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An alarmingly disproportionate number of Black women are failed every year by the U.S. maternal health system. Shamony Gibson and Amber Rose Isaac were vibrant, excited mothers-to-be whose deaths due to childbirth complications were preventable. Now, their partners and families are determined to sound a rallying cry around this chilling yet largely ignored crisis.
Directors Paula Eiselt and Tonya Lewis Lee follow Gibson’s and Isaac’s bereaved partners, Omari Maynard and Bruce McIntyre, as they fight for justice and build communities of support, bonding especially with other surviving Black fathers. Their tragic, individual experiences are punctuated with condemning historical context, showing that gynecology has a long-standing history of exploiting and neglecting Black women in America. In the arresting words of mother-to-be Felicia Ellis, “A Black woman having a baby is like a Black man at a traffic stop with the police.” She emphasizes that paying attention is paramount. Aftershock brings an unsettling reality to the forefront while uplifting the families, activists, and birth workers who are striving to bring institutional change and legislative reform. These mothers will not be forgotten.