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陶慧敏,王福友,牛飘,崔慕燕,潘沙泉,潘德民,田吉海,牛皎寰,凌慧,关新伟,尹大为,黄达亮,陈晚华,王东风,沈德贞
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HD国语
江澄,夏宗学,张艳丽,胡广川,于绍康,董清清,马勇,春晓
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HD中字
文森特·林顿,克里斯朵夫·罗西尼翁,卡琳·德·米贝克,马修·夏勒,伊夫·罗伊,泽维尔·马修,保罗·波特洛,诺尔·梅洛特,罗兰·托马斯
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HD国语
郭星辰,裴小瑞,林晓冰
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米兰·翁德拉克,Dominika Moravkova,安娜·盖伊斯洛娃
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HD中字
Caroline Dhavernas,Amy Sloan,Vlasta Vrana
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抢先版
威尔·约瑟夫,本·金斯利,玛丽-露易丝·帕克,安迪·瑟金斯,凯尔塞·格拉玛,安格斯·卡斯提·道蒂,威廉·弗兰克林-米勒,约诺·戴维斯,米娅·罗杰斯,乔尔·斯马尔本,迈克尔·本茨,John Foss,伊恩·迪龙,莱奥·哈纳
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HD
奥梅罗·安东努蒂,萨韦里奥·马尔科尼,马切拉·米凯兰杰利,法比利其奥·方特
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HD
久我美子,冈田英次,童尺修,杉村春子
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正片
Anya Taylor-Joy,克里斯·海姆斯沃斯
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HD中字
内详
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帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
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HD
贺刚,张佳琳,甘婷婷,张春仲,朱佳希
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HD中字版
多米尼克·谢尔伍德,麦金利·贝尔彻三世,科林·莫斯,艾迪·拉莫斯
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HD国语
冉波
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.