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秦海璐,保剑锋,左小青,田雨,潘之琳,孙浩,杜源,贾笑涵,李依晓,谭凯,穆丽燕,梁丽,章涛
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已完结
魏晔,冯骏骅,张欣,金锋,夏志卿
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更新至80集
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李东学,张俪,林源,胡海锋,寇振海,何赛飞,冯恩鹤,俞小凡
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已完结
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已完结
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第77集完结
葛兆恩,紀成澔
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已完结
榎木淳弥,小松未可子,樱井孝宏,奈良彻,仲野裕,平川大辅,明坂聪美,井口裕香,片冈爱之助
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尹施允,李英雅,柳真,周元,申东宇,全光烈,钱忍和,全美善,吴在武,赵贞恩,崔允英,金所泫,崔子惠,朴成雄,朴相勉
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全120集
内详
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谍战题材锄奸故事
刘劲,于震,徐僧,李玉峰,徐箭,邢宇飞,张蓉蓉,陈紫函
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已完结
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更新至91集
50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。
In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.