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已完结
秦海璐,保剑锋,左小青,田雨,潘之琳,孙浩,杜源,贾笑涵,李依晓,谭凯,穆丽燕,梁丽,章涛
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更新至80集
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已完结
魏晔,冯骏骅,张欣,金锋,夏志卿
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已完结
李东学,张俪,林源,胡海锋,寇振海,何赛飞,冯恩鹤,俞小凡
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已完结
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已完结
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已完结
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已完结
尹施允,李英雅,柳真,周元,申东宇,全光烈,钱忍和,全美善,吴在武,赵贞恩,崔允英,金所泫,崔子惠,朴成雄,朴相勉
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已完结
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第77集完结
葛兆恩,紀成澔
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已完结
榎木淳弥,小松未可子,樱井孝宏,奈良彻,仲野裕,平川大辅,明坂聪美,井口裕香,片冈爱之助
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谍战题材锄奸故事
刘劲,于震,徐僧,李玉峰,徐箭,邢宇飞,张蓉蓉,陈紫函
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更新至91集
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更新至85集
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全120集
内详
In the 1970s, Oscar-winning French documentary filmmaker Pierre-Dominique Gaisseau moved with his family to Panama to make a film about the Kuna community, one of South America’s largest indigenous peoples. He promised them that they would see it, but for various reasons, production stalled and the film (with the working title ‘God is a Woman’) was never completed. But what happened to the unfinished film reels? That’s what young Arysteides Turpana, on the mandate of the Kuna elders, sets out to find out. His journey takes him to France, but gaining access to the dusty film reels is not easy. Following in his footsteps is Swiss-Panamanian director Andrés Peyrot, who has created one of the year’s biggest festival successes since its premiere at the Venice Film Festival. A film that manages to turn abstract questions about the right to own one’s own image and narrative into a relevant and existential necessity.